Day 49: Doubletake versions

 

Doubletake (original drawing) (1987)Gouache over technical pen over pencil on bristol. Pencils erased prior to coloring. Coloring done about 1990.

 

Double-negative (1995?) Xerox of uncolored original, cut out with an xacto and glued down to a black background.

I've always liked this image, so I've played with it a few times over the years. I colored the original inked drawing a few years after I made it, and had made xeroxes before that, in case I wanted to play with the image. The negative version is one of those playful versions.

Day 17: Doubletake

 

Doubletake (1987) Study for serigraph. 9x12. Gouache and pencil on paper.

I may still have one of the serigraphs around here. This was the study for a series of 50 three-color, poster-sized serigraphs I did as my final project in my favorite design course in college, and my prof got the progressive set. The stencil film was hand cut, and I had to resize and manually do color seperations (black, red, silver) from my study. I did it the old-fashioned way, using a grid and a photocopy of the 9x12 design. I wish I still had the butcher paper I drew the seperations on, for cutting the films, but I cut through them to cut the films more accurately.

I'd love to do it again - and I mean the whole old-fashioned, hand-cut stencils, messy, dirty, unrefined silkscreening technique. I did another run of a different size with photo-sensitive stencil medium and I don't like it as much, it feels like cheating. If I'm going to do that, I might as well just print the things out on a printer, or send it off to a printing service. Serigraphy, for me,is about the process and getting my hands dirty.

It's now the oldest one here. It's twenty years old.

Note: yes, this one is late. I spent all of yesterday making tortillas and prepping dinner. I think I'm happiest when I'm getting my hands dirty. I'll do today's in a few minutes.